Ellsworth Kelly - SKETCHLINE

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May 31, 1923, Newburgh, New York (the USA) - December 27, 2015 - Spencertown, New York (the USA)

Ellsworth Kelly

description

Ellsworth Kelly was an American artist and sculptor, an outstanding figure in post-war abstract art. His paintings with large abstract figures, bold and contrasting combinations of colours, influenced the development of Minimalism, colour field painting and hard-edge painting.

The main goal of Ellsworth Kelly was to change the concept of people about the world, to make them see familiar things in a completely new way. His art is very different from the work of other American artists. While abstract expressionists and representatives of the “action painting” worked based on intuitive subconscious acts, Kelly took real-life objects as a basis. Simplifying their form as much as possible and cutting off everything unnecessary and secondary, he depicted the essence of things, which can only be understood with the help of a simple look, without participation in this process of intellectualization and any particular emotions.

The style of Ellsworth Kelly was formed under the influence of European painting. After serving in the army during the Second World War, he did not immediately return to his homeland but stayed for several years in Paris, where he studied at the School of Fine Arts and talked with representatives of avant-garde painting. Kelly returned to America as a mature artist. He presented his works to art experts; in those pictures, pure colour and shape were important, and a plot and individual vision were not.

In addition to large-scale paintings, Ellsworth Kelly created lithographs and abstract sculptures from painted aluminum. His sculptural compositions, like his paintings, were created based on the interaction of the shape and colour of objects, taking into account their location in the surrounding space.

 

Key ideas:

– Kelly’s painting is focused on the physical interaction of the viewer and the art. Huge canvases with different colour areas are directly perceived by the person’s subconscious, giving them a strong emotional reaction and unusual physical sensations. The artist preferred not to explain the meaning and history of the creation of his works but simply suggested that the viewer should spend some time alone with the canvas and independently feel its energy.

– Ellsworth Kelly was the founder of Hard-edge painting (painting of hard contours). Unlike Abstract Expressionism, figures in his works have clear edges, although they are not strict geometric figures. This method of work is characterized by the absence of sudden forms, flat, uniformly coloured fields and great attention to the interaction of the object and space. Kelly’s painting leaves no room for a fantasy flight but puts the viewer in the circumstances already prepared for him.

– In his works, Ellsworth Kelly tried to reduce the influence of emotions and personality. He strove to create pure colours and forms, in which the artist’s manner does not matter. Kelly often resorted to the method of randomness, when a composition is created using the spontaneous connection of objects. This manner was inherent in the early work he performed during his stay in Paris. In the late period of his career, the artist acted from the opposite – he carefully analyzed every bend of the form and the lightest shade of colour.

– In the American period of his work, Ellsworth Kelly used irregularly shaped canvases. These works usually have a multilayer structure in which one image prevails over another, creating complex effects with simple primitive forms. A large role in these works is still given to colours, which, along with forms, create the space. Many works evoke impressive optical illusions, bringing Kelly’s art similar to op art.

Ellsworth Kelly

On Artist

flow

Neoplasticism

Minimalism

Surrealism

Hard-edge painting

Byzantine art

friends

Agnes Martin

James Rosenquist

Jack Yangerman

artists

Henri Matisse

Paul Cezanne

Paul Klee

Pablo Picasso

Constantin Brancusi

Jean Arp

Piet Mondrian

By Artist

flow

Minimalism

friends

James Rosenquist

artists

Richard Serra

Robert Indiana

Dan Flavin

Donald Judd

Roy Lichtenstein

description

Like in his earlier works, the artist paid much attention to colours, carefully selecting the necessary shades and their combinations. In “Red Diagonal”, colours create a dynamic composition, thanks to the contrast between the neutral white and the defiant fiery red hue.

2007

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Sculptural works of Ellsworth Kelly echo the ideas of his paintings. They are abstract flat figures, dynamic and self-sufficient, based on natural forms.

2002

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Despite the strict shape, the “Yellow Curve” is not a regular geometric figure. This painting in intense canary colours has a completely irregular shape, as it has neither straight lines nor right angles.

1996

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Soon after returning from Paris, Kelly began to create works of a non-standard form instead of paintings from several colour panels. "Black over blue" is one of the most famous paintings by the artist in this series.

1963

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In this work, Ellsworth Kelly tried to convey the tension that exists between the figure and the background on which it is located. Despite its flat forms, the composition is very dynamic.

1963

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The abstract works of Ellsworth Kelly are based on natural forms. In the 1960s, he made a series of lithographs in the style of minimalism, in which he depicted tree leaves and fruits in the form of simplified flat figures.

1962

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This is an abstraction of bright, pure colours. The picture consists of seven equal panels and has a horizontal orientation – the author’s favorite format. During its creation, Ellsworth Kelly actively experimented in the style of neoplasticism with different colour ratios, studying their effect on each other and human perception.

1953

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In this work of his Parisian period, the artist compared various colours in random order, thus proving that their combinations create a certain atmosphere and mood depending on their location. Ellsworth Kelly drew inspiration in the outside world.

1952

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In his minimalist works, Ellsworth Kelly tried to reduce the importance of subjective factors and personal preferences of the performer. To do this, he used the element of chance, which he began to apply under the influence of Jean Arp and John Cage even during his stay in Paris after participating in the war.

1951

description

The work consists of 64 squares of equal size, interconnected in one large panel. Each element of the picture has a particular colour and a specific place in the composition, which the artist most often determined intuitively.

1951