Esteban Francés - SKETCHLINE

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1913 - 1976

Esteban Francés

description

A Spanish artist and theater designer, a bright representative of Surrealism. Esteban Frances spent his youth in Barcelona; with the outbreak of World War II, he moved to Argentina and became one of the first Surrealists in South America. In the United States, the artist joined a group of European surrealists headed by Andre Breton. The Spanish painter closely communicated with Max Ernst, Yves Tanguy and Salvador Dali, but was in a special relationship with the Catalan artist Remedios Varo, who was his lover and faithful friend.

In his surrealistic works, the artist used automatism, which allowed him to reproduce spontaneous thoughts, memories and fantasies on the canvas without the influence of reason and logic. Frances often used the technique of scratchboard, scratching a drawing on a pre-coated surface, which created unusual and unpredictable effects. The paintings of the Spanish artist are distinguished by brightness, texture and originality of images that seem to arise from strange dreams and intricate memories.

The contemporaries of Esteban Frances knew him as an author of the scenography for the productions of American ballet. The artist’s collaboration with Russian choreographer George Balanchin lasted twenty years, during which Estaban not only created thousands of bright theatrical images but also developed a completely new approach to the traditional art of ballet design.

Key ideas:

– The artist’s paintings, created with the help of the canonical for “surrealism” automatic painting, look like fantastic universes inhabited by strange and incomprehensible creatures. Biomorphic designs and fancy colour spots fill almost the entire surface of the canvas.

– The artist was always interested in natural phenomena, especially such indomitable elements as a hurricane, a storm and a fire. During his stay in Mexico, E. Frances witnessed the eruption of one of the volcanoes: red-hot lava flows, slowly flowing and endlessly changing their shape, made an indelible impression on him. In the artist’s paintings, bright red surfaces with a smooth texture resembling lava appeared.

– Frances often depicted various animals. His most favourite characters were bulls, crows, roosts and horses, usually strangely deformed, aggressive, with sharp claws, horns and beaks.

– The atmosphere of surreal paintings by Esteban Frances is characterized by tension, dynamics and a high-energy message. The characters of his paintings are in constant motion, which, like a whirlwind or a hurricane, moves them in a circle and stretches their real forms. Vivid colours, especially purple-red, which the artist was very fond of, give his works an even greater tension.

– By the end of his creative career, Francis cardinally changed his painting style, developed over the years. His paintings received clearer and smoother lines, real human figures appeared in them, and fantastic images gave way to more mundane ones. The aesthetics of these late works is close to the style of modern, while the plots are filled with allegories and riddles and cause ambiguous interpretations.

Esteban Francés

On Artist

flow

Surrealism

Dada

Cubism

Futurism

Modern

Abstract art

friends

Max Ernst

Oscar Dominguez

Yves Tanguy

Paul Eluard

artists

Giorgio de Chirico

Salvador Dali

Andre Breton

Victor Browner

Roberto Matta

Gordon Onslow Ford

By Artist

flow

Abstract expressionism

friends

Remedios Varo

artists

Leonora Carrington

description

Mediums: gouache, color pencils, collage, cardboard. Location: The National Museum of Reina Sofia (Madrid, Spain).

1971

description

Mediums: oil, canvas. Location: private collection.

1946

description

Mediums: oil, canvas. Location: The Museum of Art (Philadelphia, the USA).

1944

description

Mediums: oil, cardboard. Location: The Guillermo de Osma Gallery (Madrid, Spain).

1938

description

Mediums: oil, canvas. Location: The Reina Sofia National Museum (Madrid, Spain).

1938

description

Mediums: gouache on paper. Location: private collection.

1938

description

Mediums: oil, canvas. Location: The National Museum of Reina Sofia (Madrid, Spain).

1937

description

Mediums: gouache and pencil on paper. Location: Private collection (New York, the USA).

1934