Alexander Calder was born into a family of sculptors and artists, natives of Scotland, and from childhood was engaged in art. In his parents’ house, Alexander had a children’s studio, where he started creating sculptures when he was four years old.
1898 - 1976
A famous American artist and sculptor, whose works adorn squares of the cities of the USA, Europe and Latin America. A son and grandson of sculptors, Alexander Calder, was educated as an engineer and applied his knowledge in the field of sculpture, which allowed him to create a completely original, innovative approach to this kind of art.
Calder became known worldwide as the inventor of “wire sculpture”. Having abandoned the traditional heavy materials – clay, gypsum and bronze, he created airy designs in which the shape of the object is depicted very simplistically and schematically. His wire figurines resemble a pencil drawing in space and amaze you with their laconicism and elegance of execution.
Another invention of the sculptor is the so-called “mobiles” – those are dynamic constructions that are driven by the force of the wind, the laws of gravity and in some cases by an electric motor. These works are completely abstract and small in size, in contrast to the more stable and monumental “stables” of the sculptor, which perfectly complement the urban landscape. One of the most famous and large-scale creations of Alexander Calder is his work “Man”, located in the center of Montreal.
Key ideas:
– Instead of massive sculptures made of plaster and bronze, Alexander Calder created thin, airy designs using wires of various thicknesses and improvised materials. One art critic called these linear sculptures “drawings in space”, as they resemble a pencil sketch or a three-dimensional sketch.
– In his works, A. Calder tried to overcome the static and monumentality inherent in sculpture and make it as light and airy as possible. His goal was to convey movement when various parts of the structure could occupy completely different positions in space in relation to each other and the viewer. In his work, the sculptor used the knowledge in the engineering field he gained in his youth. His sculptures are carefully balanced designs that come in motion from the airflow and light touch of the hand.
– During training in the League of Artists in New York, A. Calder worked as a graphic designer for circus performances. He loved this type of art until the end of his life. Later, the sculptor created his mobile mini-circus, in which the figures of artists and animals were made of wires, pieces of metal and other improvised materials. All the elements of this circus moved with the help of complex compounds under the guidance of the author himself.
– In addition to small “mobiles”, as if floating in the air, the artist also created monumental sculptures, which he called “stabilization”. Gradually, Calder’s sculptures took on ever larger sizes, many of which became an adornment of urban squares in Europe and America.
1898
1915
1922
1926
1930
1943
1958
1966
1976
1976
Alexander Calder was born into a family of sculptors and artists, natives of Scotland, and from childhood was engaged in art. In his parents’ house, Alexander had a children’s studio, where he started creating sculptures when he was four years old.
Despite his apparent predisposition to creative professions, Calder, with the consent of his parents, started studying mechanical engineering at the Stevens Institute of Technology in Hoboken, New Jersey. In his student years, he worked part-time as an illustrator and also worked on drawings.
After Calder visited his sister in Aberdeen and got inspired by the local landscapes, he decided to return to art. Alexander entered the League of Student Artists, where he learned drawing and painting from John Sloan and George Luks. He worked as an illustrator in a New York newspaper, and also created circus posters and became interested in circuses in general.
Moved to Paris, where he met many Surrealists and Constructivists. In France, Calder invented his wire sculptures, which completely ruined the public idea of what sculpture is. In the same year, he began to create his famous “Calder Circus”, which he expanded and improved over several years.
After visiting the workshop of Piet Mondrian, he abandoned figurative art and turned to abstract forms. Calder painted several abstract oil paintings but soon switched to sculpture. He invented movable structures made of metal and wood, which at the suggestion of Marcel Duchamp were called “mobiles”.
A large personal exhibition of the sculptor was held at the Museum of Modern Art in New York. The exhibition featured both motionless and dynamic sculptures, as well as some graphic and pictorial works. The art of the sculptor at that time gained wide popularity; he began to receive numerous orders, including for large monumental objects.
Began to engage mainly in monumental sculpture. Calder worked in a large studio in Connecticut, where he created mock-ups of his works, which then increased several tens of times and became large-scale sculptural compositions. In the same year, Calder won the First Prize at the Pittsburgh Sculpture Contest.
Moved to France; in Paris, he built a large house with a studio in Sache. There the sculptor created his major works and also worked on smaller statuettes and decorative ornaments. Calder received many orders in various countries and constantly traveled with his family. He wrote an illustrated biography in which he described his working methods and attitude to art.
The last lifetime major retrospective exhibition of the sculptor was held at the Whitney Museum in New York.
Alexander Calder died on November 11 in 1976 in New York, the USA.