Josef Sima was born into a family of artists: his grandfather was a sculptor and bricklayer; his father was a professor and painting teacher.
1891 - 1971
A Czech painter, graphic artist, illustrator, who became one of the most striking, original and significant representatives of early European Surrealism, and later, in the period after the Second World War, was a master of abstract landscape painting.
Josef Sima is equally referred to the Paris School of Surrealism, since he worked in France long time (around 50 years). At the same time, the artist always kept in touch with the Czech artistic community and was a member of art groups in his homeland.
After receiving a special and versatile education at the Prague High Technical School and the Academy of Fine Arts of the Czech capital, J.Sima became one of the founders of the Czech art group «Devestil»; after moving to Paris he participated in the activity of the Surrealist group «Grand Jeu» and became a co-founder and designer of a magazine with the same name.
The artist entered the history of the fine art as a talented illustrator of frequently reprinted collections of Czech and French poets, whom he kept in touch with.
Josef Sima became an important figure in modern European art, was awarded the title of the Officer of the Legion of Honor. The largest collection of his paintings is at the Paris Georges Pompidou Center and at the gallery of the Szech city of Brno. The artist’s works are highly valued at art auctions in Europe.
Key ideas:
– Sima’s works can be divided into two periods, not taking into account a short time of his enthusiasm for Cubism and Expressionism. The first one, which is characterized by lyrical imagination, a mystical vision of the world and events, was influenced by Surrealism and ended with the beginning of the Second World War. At the second stage, approximately since 1950, he created graceful landscapes using the synthesis of previous experiments and special symbols. These works are considered to be his best paintings.
– After studying at the Higher Technical School and the Prague Academy of Fine Arts, the artist investigated the avant-garde art in Paris. His theoretical debates with Piet Mondrian (especially about the “point without weight”) were of particular importance; they accelerated the process of liberating Sima’s art from Cubism.
– The works of Joseph Sime often include images of various symbols and elements that were important for him: an egg, a crystal and a tree. In 1930s, he created scenes on ancient themes that were uncharacteristic of the style and those times. Icarus, Theseus, Orpheus and Leda became heroes of those canvases. Perhaps, it was his reaction to the growing threat of fascism in Europe and the general oppressive political atmosphere. The artist returned to this theme also at the end of 1950s.
– Experts note the influence of the ideological quest of French artist and architect Le Corbusier on the art of Josef, and also its similarities with the tenets of Purism, which was developed by Amede Ozenfant.
– The artist was popular for his book illustrations in France and in his motherland. He found job thanks to the help of his first employer, a writer and the owner of a bookstore, Louise-Denise Germain. Basically, the artist worked on poetry collections.
– The best post-war paintings by the artist are his landscapes, such as “The Light of the Earth” (1968), full of light, permeated with poetry and uniqueness of spiritual and mental depth.
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1971
Josef Sima was born into a family of artists: his grandfather was a sculptor and bricklayer; his father was a professor and painting teacher.
After graduating from the high school in Brno, he studied at the Prague School of Applied Art; was a student of an author of altar paintings, Professor Emanuel Diet Jr. Josef was interested in frescoes and mosaics of the Old City.
Entered the Academy of Fine Arts in Prague, where he was a student of academic artist Professor Jan Preisler and talented portrait painter Vlaho Bukovac (Italian Biagio Fajoni, who lived in Prague).
He continued his education at the Faculty of Civil Engineering in Brno, but was soon drafted into the army, where he spent four years. Received an important life experience, which later was reflected in his painting.
After returning from the fronts of the First World War, he was the representative and organizer of the activities of the Art Club of Ales in Brno. His paintings of this period are close to Cubism and Expressionism.
Worked at the Technical University of Brno. He became one of the supporters of the art group «Devestil». His last work that he created in Prague was the scene for the work of Karel Čapek.
After settling in France in 1921, he first worked as an illustrator of books at a glass factory in Hyundai. The artist did not lose ties with his homeland – he was a member of the Association of Fine Artists in Brno. Soon the artist married Frenchwoman Nadine and received citizenship of this country in 1926.
Became one of the main members of the Parisian group of Surrealists “Le Grand Jeu” and the co-editor of the eponymous magazine. Got carried away by the ideas and works of Auguste Perret.
Held his first exhibition at the Povolozky gallery in Paris. Next year, he joined the Association of Surrealist painters; after one more year, he became the organizer of the international exhibition Poesie in Prague.
The artist constantly maintained close creative ties with the avant-garde art movement in his homeland, was a member of the Czech Surrealists group, founded by Vitezslav Nezval. After some time, he became the curator of the permanent exhibitions of Art Tchécoslovaque at the Paris Gallery La Boëtie (held for ten years until 1946).
He was invited to participate in the prestigious Documenta II Festival of Painting, Graphics and Sculpture, held in Kassel, Germany. Received an order for creating stained glass for St. Jacob’s Church in Reims.
The master was awarded the title of the officer of the Order of the Legion of Honor in the field of arts. His paintings were exhibited next to the canvases of M. Ernst, R. Matta and others at the collective exhibition at the gallery Le Point Cardinal in Paris (1968).
Josef Sima died on July 24, 1971 in Paris, France.