Constantin Brâncuşi - SKETCHLINE

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1876 - 1957

Constantin Brâncuşi

description

An outstanding world-famous Romanian sculptor, who made most of his creative career in France. He is one of the main founding artists of the abstract sculpting style and the brightest representative of the Paris school.

Konstantin Brancusi, who was famous in avant-garde art of the 20th century, led the sculpture to revolutionary simplification of forms. This was not a simple exercise in plastic design but a real interpretation of the rhythm of the modern life. At the same time, the master, who worked in stone, bronze and wood, showed the highest technical skill. Through the emphasized formality and the apparent poverty of a shape, he revealed the inner beauty of the materials he used, freeing it from superficial manifestations.

The proof that the art of Brancusi was not just empty abstraction but was filled with high content is the extraordinary popularity of his works during the life of the master and now. The pioneer of abstract sculpture was widely known in Europe, America, and also thanks to his admirer and follower I. Noguchi in Japan; but he never forgot his roots. The sculptor received large orders from Romania, including for park memorials.

The artist’s legacy is also in demand in the 21st century. Despite the fact that the author frequently copied his sculptures, they are estimated at tens of millions of euros or dollars in the modern art market.

Since its opening, the Georges Pompidou Center in Paris has a separate room with sculptures by Constantine Brancusi – the author bequeathed his works to the French people.

Key ideas:

– The sculptor used the expressiveness of stylized fluid contours, preferred integral volumes and dense texture of materials to create generalized and symbolic images, such as “Prometheus” (marble).

– Over time, enhancing laconicism and using the geometric abstractness of forms, the sculptor switched to a sculpting manner close to abstraction. Brancusi created a new style, abandoning nudity and almost all methods of conveying romantic themes. The sculptor invented (or adopted from archaic masters) a performance technique, which he called the direct cutting method. The most striking example is his work “Kiss” (1907, stone).

– Brancusi, seeking lapidary simplicity of the form, actively used the traditions of Romanian folk art, the folklore of the Cycladic and African cultures. This was organic to the very sources of his talent, because the artist always emphasized, even keeping in touch with representatives of the Parisian elite, that he was a peasant son.

– The artist is rightfully considered one of the pioneers and founders of abstract art in the European sculpture tradition. His simplification of forms was not just an exercise in plastic design, but a real interpretation of the rhythm of life. The art of the Romanian master is both primitive and avant-garde.

– The original forms of the sculptor (for example, “squeezing” the head, created as a separate sculpture), give a vivid idea of ​​the nature of the object, that is, they are not just abstractions but are filled with content that was perceived in contemporary avant-garde circles and by generations of young creators.

Constantin Brâncuşi

On Artist

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Symbolism

Primitivism

Minimalism

Cubism

Abstractionism

friends

Man Ray

Fernand Leger

artists

Pablo Picasso

Amedeo Modigliani

Alexander Arkhipenko

By Artist

flow

Surrealism

Abstract expressionism

friends

Marcel Duchamp

Henri Matisse

artists

Henry Moore

Louise Bourgeois

Max Jacob

Richard Serra

Isamu Noguchi

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Mediums: gold plated steel. Location: The park of the city of Targu Jiu (Romania).

1934 - 1938

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Mediums: polished bronze, (the cubic base is made of limestone). Location: The National Museum of Modern Art, Center of G. Pompidou, Paris (France).

1933

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Mediums: bronze. Location: The Norton Museum of Art, Florida (the USA).

1928

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Mediums: polished bronze. Location: The Museum of Modern Art in New York (the USA).

1928

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The Museum of Modern Art in New York (the USA).

1922

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Mediums: wood, varnish. Location: private collection.

1918

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Mediums: bronze. Location: The National Museum of Modern Art, Center of G. Pompidou, Paris (France).

1916

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Mediums: bronze. Location: The National Museum of Modern Art, Center J. Pompidou, Paris (France).

1910

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Mediums: stone. Location: The Craiova Art Museum (Romania).

1909

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Mediums: stone. Location: The Craiova Art Museum (Romania).

1907 - 1908