Архивы Environmental Art - SKETCHLINE

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1960 - nowadays

Environmental Art

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Environmental art (Land art)

From the end of the 1960s to this day

Environmental art is a movement in contemporary avant-garde art that arose in the USA in the late 1960s. The material and the galleries are open space and natural landscapes, so works made in the environmental style are huge, often non-utilitarian and unrepresentative.

It can be said with confidence that Environmental art was formed from paintings, the subject of which was a negative environmental change (Diana Burko). The movement dates back to October 1968 beginning from the Earthworks exhibition at the Dawn Gallery in New York, hosted by Robert Smithson.

This art movement speaks of such problems as climate change, excessive use of polyethylene, extinction of animal species, deforestation and social issues. There are works “for the sake of aesthetics” decorating cities and suburbs.

To organize the work, large sections are selected: fields, forests, squares of cities, as well as abandoned rooms, sometimes spacious gallery halls, which can be covered with ground, dirt, seeds and garbage; they play the role of media and have a meaning. In the gallery rooms, the masters play with the effects of light and audio; the works take on a philosophical sense. Artists use auxiliary media, for example, ropes, threads, balls, wire, fabric, shuttlecocks, concrete and readymade; all environmental objects can be involved in the composition – these are trees, walls of houses, people, etc. Designers, architects, builders and others take part in creating particularly complex environmental works.

Many installations “shout” about people’s inability or unwillingness to process waste products, such as garbage, in our time.

Key ideas:

– The main idea is the use of land and the environment as a sculptural material for the realization of an idea that has a political, environmental or social subtext. Land art shows the artist’s connection with nature, his respect for the environment, cultural and aesthetic aspects.

– An environmental work is a dialogue between people and nature, the connection of the moral aspect with planetary integrity.

– Eco-art introduces us to the existing environmental disasters, explains their impact on human life, ways to solve these problems and ecosystem rehabilitation, agitates us to use the planet’s resources more economically and preserve life forms.

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Donald Judd was one of the most famous American abstract sculptors of the late 20th century, a designer and art theorist. He is the leading representative of Minimalism, although he himself never referred himself in this movement. Judd did not call himself a sculptor, believing that his art fundamentally does not fit the definition of sculpture since his works were not made by him personally but were made of ready-made objects.Donald Judd described his creations as “a simple expression of complex thought” and composed them from industrial materials. A characteristic feature of the artist’s style is focusing not on the depicted object itself but on the space that he creates around himself. The most famous series of his works “Specific Objects” and the vertically placed “Racks” demonstrate his radical approach to modern sculpture, which fundamentally changes the very essence of this art form. Donald Judd explained his complicated abstract art in numerous theoretical works. He published a number of essays, as well as two volumes of the Complete Works in 1976 and 1986.Since 1970, the artist began to create sculptural compositions for installation on open air. Few people know that the popular “loft” style of interior appeared largely thanks to Donald Judd. He was the first to convert an industrial building in New York into a living space and a studio, where he worked and exhibited his sculptures. Here he worked for 25 years, and after the artist’s death a museum was organized in the building, which not only demonstrates his creations but also allows visitors to understand the very essence and history of such an art movement as Minimalism.

1928 - 1994

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An American artist and theorist, the central figure of the avant-garde of the 60s, the discoverer of the happening - a form of art in which the primary attention is paid to the process of creation. Allan Kaprow appreciated the moment of action in painting, putting it above the result.The fleeting, often quick and spontaneous actions of Kaprow erase the line between art and everyday life and immerse participants in the work, involving them in the creative process and destroying the notorious “fourth wall” between the work and the audience.In his theoretical writings, Allan Kaprow said that after the discoveries of Jackson Pollock and other Abstract Expressionists, painting could no longer exist in its original form. It must go beyond the canvas and move into everyday life.The master called himself “non-artist” and his works “anti-paintings”. “Life is much more interesting than art”, said Kaprow and created events outside galleries and museums: in courtyards, apartments, streets, squares and parking lots. Sometimes his works are even absurd - such as building houses from ice under the scorching California sun; they change the very perception of art and turn everyday life processes into creative acts.The principles of the creation of happening, which Allan Kaprow outlined in his work “How to Make a Happening”, were enthusiastically accepted by many post-war artists who tried to take a fresh look at modern creative methods. Thanks to the discoveries of the American innovator, such styles as installation, performance and conceptual art were further developed.

1927 - 2006

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A famous American artist and sculptor, whose works adorn squares of the cities of the USA, Europe and Latin America. A son and grandson of sculptors, Alexander Calder, was educated as an engineer and applied his knowledge in the field of sculpture, which allowed him to create a completely original, innovative approach to this kind of art.Calder became known worldwide as the inventor of "wire sculpture". Having abandoned the traditional heavy materials - clay, gypsum and bronze, he created airy designs in which the shape of the object is depicted very simplistically and schematically. His wire figurines resemble a pencil drawing in space and amaze you with their laconicism and elegance of execution.Another invention of the sculptor is the so-called "mobiles" – those are dynamic constructions that are driven by the force of the wind, the laws of gravity and in some cases by an electric motor. These works are completely abstract and small in size, in contrast to the more stable and monumental "stables" of the sculptor, which perfectly complement the urban landscape. One of the most famous and large-scale creations of Alexander Calder is his work "Man", located in the center of Montreal.

1898 - 1976

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A French sculptor, painter and graphic artist who worked in the USA. Famous as one of the great sculptors of the 20th century, Louise Bourgeois lived an incredibly long creative life. Her career spans almost a century, and her work reflects almost all the major art movements of this period: Cubism, Futurism, Surrealism, Constructivism and Abstract art.Despite the influence of various artistic movements and styles, sculptures by Bourgeois were always unique creations of modern sculpture. Based on early, predominantly sad childhood memories, they affect the deepest human feelings, always hitting the target directly. Huge steel spiders, strange objects in the cages and close attention to the relationship between the sexes cause strong emotions and genuine public interest in the extraordinary work of the artist.Louise Bourgeois was one of the first to use Environmental art in her art; it involves the presence of sculptural compositions in the everyday environment of a human being. Unlike traditional statues standing on high pedestals, these statues were placed close to people, becoming a part of their life. In addition, Bourgeois played an important role in the formation of the feminist movement and had a strong influence on the development of the art of installation and performance.

1911 - 2010

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Mediums: concrete. Location: the Chinati Foundation, Marfa Texas (the USA).

1984