Was born into the family of intellectuals, grew up in the vicinity of Hyde Park in Chicago; was raised together with his younger brother Jonathan. The family lived for a while in Cambridge, England.
Was born in 1955 in Boston, the USA
A modern American artist and sculptor. Lives and works with his wife, artist Charlene von Hale, in New York, as well as in Martha, Texas. The art of Christopher Wool includes art movements related to pop art, abstraction, and post-conceptual concepts. The artist’s formal experiments make him, on the one hand, a commercially successful author whose works are acquired by the largest galleries in the world, and, on the other hand, art historians and critics often accuse K. Wool of the banality or superficiality of his creations.
The main feature of the artist’s works is the black and white “pictures made of words”. They are large canvases with phrases in the style of graffiti slogans, most often made using the silk-screen printing technique. Wool offers recognizable quotes from films and television shows, from popular books and periodicals. Later works of the artist, based on the study of abstract painting, often contain several painting levels and image cropping. The meaning of his works is in the search for answers to the question of what modern painting is ad how it should be created.
In addition to museums in American cities (New York, Chicago, Boston, Washington, Los Angeles, etc.), the works of Christopher Wool are exhibited in London (Tate Modern), Paris (Center Pompidou), Vienna, Zurich, Rotterdam, Montreal, Cologne and other major art collections in the world. His artworks are highly valued in the global art market.
Key ideas:
– Christopher Wool is known for his large-format paintings with images of black letters on a white background. He told that he began to create such works in the late 1980s, seeing graffiti on the white back of a new truck. According to the author’s concept, this is not just an image of phrases: the original words are often inscribed in a lattice system, some letters can be deleted from them, and the word itself is broken up into fragments without following the transfer rules. Therefore, not only the change in the meaning of the word intrigues the artist but also the visual aspect of the composition. For his paintings, he uses lyrics, phrases from popular films and books.
– Another series of his early works is the so-called “wallpaper”. The artist applied geometric patterns and floral ornaments with a roller through a stencil. This form was chosen by the artist to question the classical methods of painting and expressionist abstraction in particular. The viewer sees them as an abstract form that does not tell about anything, the aesthetic aspirations and the so-called “divine meaning” of art are equal to zero.
– In recent years, the artist has returned to abstract expressionism, which he opposed before. He creates monochrome paintings that look like overlapping layers of planes and lines that are applied and partially removed using a soft tissue. These artworks are created using a variety of techniques, including silk-screen printing and paint spraying. Since the beginning of the new millennium, Christopher Wool has been actively using the power of a computer to create partial copies of his works.
– These works are often expressionist in nature, although the objects of the image are a street or a city, a studio or objects of everyday life surrounding the artist.
1955
1973
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2010
2013
Was born into the family of intellectuals, grew up in the vicinity of Hyde Park in Chicago; was raised together with his younger brother Jonathan. The family lived for a while in Cambridge, England.
Started to study painting and photography at Sarah Lawrence College in New York (class R. Pusset-Darth). Having dropped out of the school in less than a year, he entered the studio of Jack Tworkov and Gabriel Cramer, where he became acquainted with abstract expressionism in the field of technology and style.
Leaving formal studies, he rented a studio and began experimenting with his style, plunging into the world of underground films and music. During 1980-84, he worked as an assistant at the studio of Joel Shapiro.
His first solo exhibition was held at Cable Gallery (New York); two years later the shows were carried out at the same gallery, the Robbin Lockett Gallery (Chicago) and the Luhring Augustine Gallery (New York).
Together with his colleague Gober, he presented a joint exhibition at Gallery 303 (New York), which, in particular, included the original text painting “Apocalypse Now”. The first overseas show took place at the Galerie Gisela Capitain (Cologne). He prepared his “Black Book” for the publication (it was published in 1989).
He was elected a member of the American Academy in Rome. The “New Work: Christopher Wool” show was held at the Museum of Modern Art (San Francisco); the Monotypes vernissage was presented at the Edition of Julie Sylvester (New York) and Galerie Max Hetzler (Cologne). The following year he presented the “Works on Paper” exhibition at Luhring Augustine (New York), the Daniel Weinberg Gallery (Los Angeles) and the Galerie Christian Stein (Torino).
Acted as a DAAD producer in Berlin and received the Wolfgang Khan Award. His exhibitions, apart from permanent ones in New York, were held in Los Angeles, Vienna and Cologne. A year later, his album of photographs “Absent Without Leave” was released – 160 black-and-white images taken during travels. After successful exhibitions in Cologne (Galerie Max Hetzler, 1993) and Berlin (Bruno Brunnet Fine Arts, 1994), he first exhibited his works alone at Galerie Samia Saouma in Paris (1995).
Married artist Charlene von Hail. His exhibition activities took place in the USA and Europe, as well as at the Taka Ishii Gallery, Tokyo, Japan. A year later, a retrospective exhibition of his works was held at the Museum of Modern Art in Los Angeles, the Carnegie Museum of Art in Pittsburgh, the Kunsthalle Basel in Switzerland, the Galerie Max Hetzler (Berlin) and the Ophiuchus Collection (Hydra Workshop, Greece).
Participated in the Vienna Secession, exhibited his creations in London, Antwerp, and supported the project “Crosstown” (Scotland). In the following years, his shows were held in Tokyo, Milan, Zurich, Berlin, Strasbourg and other cities of the world.
A limited edition of 1000 copies of his book “Can your monkey do the dog”, co-written with J. Smith, was published. A year earlier, he completed the cover design for the album of the music band Sonic Youth “Rather Ripped”.
Collaborated with punk creator R. Ad; the big opening day “Warhol. Wool. Newman. Painting Real” was held in European cities; the artist visited the exhibition in Museum Ludwig, Cologne (Germany).
Received the AmFAR Award for Artistic Contribution in the fight against AIDS. He became a co-organizer of the exhibition by J. Powett-Dart at East River Studio, where the works of R. Pussett-Dart, one of the early teachers of Wool, were also presented. Two years later, he contributed to the design for Moving Parts (part of B. Millepid’s dance project, Los Angeles).
The works he created over the few years of his career were presented at a large retrospective exhibition at the Guggenheim Museum (New York), which was later held at the Art Institute of Chicago. In 2017, at an exhibition in Aspen, Colorado, an unknown man destroyed his painting “Untitled, 2004,” previously valued at nearly $ 3 million.
flow
Pop art
Abstract expressionism
Conceptual art
Post-conceptualism
friends
Robert Gober
Richard Prince
artists
Dan Flavin
Joel Shapiro
Richard Pousette-Dart
Jack Tworkov
Mark Rothko
Willem de Kooning
Hans Hofmann
flow
Post Pop Art
friends
Robert Gober
Richard Prince
artists
Wade Guyton
Josh Smith
Kelley Walker
Dan Colen
Seth Price
Liu Dan
description
The work reflects and continues the search done by Abstract Expressionists. Mostly such artists as Mark Rothko and Hans Hoffmann, who created works by applying overlapping layers of paint. This is a large-scale abstraction with complex layers of lines and outlines obtained by swabbing paints.
2006
description
As is typical of black-and-white paintings made by Wool using stencils, in this triptych, the edges of the lines reveal small but visually recognizable violations of smooth lines. This is one of the recognizable signs of the artist’s style - he constantly compares the randomness of the image with the strict rigor of the language.
2000