Christopher Wool - SKETCHLINE

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Was born in 1955 in Boston, the USA

Christopher Wool

description

A modern American artist and sculptor. Lives and works with his wife, artist Charlene von Hale, in New York, as well as in Martha, Texas. The art of Christopher Wool includes art movements related to pop art, abstraction, and post-conceptual concepts. The artist’s formal experiments make him, on the one hand, a commercially successful author whose works are acquired by the largest galleries in the world, and, on the other hand, art historians and critics often accuse K. Wool of the banality or superficiality of his creations.

The main feature of the artist’s works is the black and white “pictures made of words”. They are large canvases with phrases in the style of graffiti slogans, most often made using the silk-screen printing technique. Wool offers recognizable quotes from films and television shows, from popular books and periodicals. Later works of the artist, based on the study of abstract painting, often contain several painting levels and image cropping. The meaning of his works is in the search for answers to the question of what modern painting is ad how it should be created.

In addition to museums in American cities (New York, Chicago, Boston, Washington, Los Angeles, etc.), the works of Christopher Wool are exhibited in London (Tate Modern), Paris (Center Pompidou), Vienna, Zurich, Rotterdam, Montreal, Cologne and other major art collections in the world. His artworks are highly valued in the global art market.

Key ideas:

– Christopher Wool is known for his large-format paintings with images of black letters on a white background. He told that he began to create such works in the late 1980s, seeing graffiti on the white back of a new truck. According to the author’s concept, this is not just an image of phrases: the original words are often inscribed in a lattice system, some letters can be deleted from them, and the word itself is broken up into fragments without following the transfer rules. Therefore, not only the change in the meaning of the word intrigues the artist but also the visual aspect of the composition. For his paintings, he uses lyrics, phrases from popular films and books.

– Another series of his early works is the so-called “wallpaper”. The artist applied geometric patterns and floral ornaments with a roller through a stencil. This form was chosen by the artist to question the classical methods of painting and expressionist abstraction in particular. The viewer sees them as an abstract form that does not tell about anything, the aesthetic aspirations and the so-called “divine meaning” of art are equal to zero.

– In recent years, the artist has returned to abstract expressionism, which he opposed before. He creates monochrome paintings that look like overlapping layers of planes and lines that are applied and partially removed using a soft tissue. These artworks are created using a variety of techniques, including silk-screen printing and paint spraying. Since the beginning of the new millennium, Christopher Wool has been actively using the power of a computer to create partial copies of his works.

– These works are often expressionist in nature, although the objects of the image are a street or a city, a studio or objects of everyday life surrounding the artist.

 

Christopher Wool

On Artist

flow

Pop art

Abstract expressionism

Conceptual art

Post-conceptualism

friends

Robert Gober

Richard Prince

artists

Dan Flavin

Joel Shapiro

Richard Pousette-Dart

Jack Tworkov

Mark Rothko

Willem de Kooning

Hans Hofmann

By Artist

flow

Post Pop Art

friends

Robert Gober

Richard Prince

artists

Wade Guyton

Josh Smith

Kelley Walker

Dan Colen

Seth Price

Liu Dan

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This is a bronze sculpture, consisting of uneven turns of wire.

2015

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Since the early 2000s, Christopher Wool has often been using a computer. He uses photographic images of his paintings, cutting and rearranging parts to create a new composition.

2009

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The work establishes and visually denotes many dual qualities, such as visible and invisible, order and chaos. In the basic black painting, Chaos is depicted - the lines are random and intuitive.

2001

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The work reflects and continues the search done by Abstract Expressionists. Mostly such artists as Mark Rothko and Hans Hoffmann, who created works by applying overlapping layers of paint. This is a large-scale abstraction with complex layers of lines and outlines obtained by swabbing paints.

2006

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As is typical of black-and-white paintings made by Wool using stencils, in this triptych, the edges of the lines reveal small but visually recognizable violations of smooth lines. This is one of the recognizable signs of the artist’s style - he constantly compares the randomness of the image with the strict rigor of the language.

2000

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In this work, words do not violate the ability to read them correctly as the simplest sentence.

1997

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The subversive nature of Wool’s post-conceptual art is best reflected in the immediacy of the word “Riot”.

1990

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The words "Run Dog" resemble children's exercises for rhythm and rhyme - the artist suggests a new connection between art forms, using "anonymous graffiti aggression".

1990

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This work is a decorative geometrically regular black pattern, made on a white background. One of the surviving early works with a repeating motif illustrates Wool’s study of "lattice" patterns in a style associated with wallpapers.

1988

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This work presents the famous phrase from the movie of Francis Ford Coppola “Apocalypse Now”, based on Joseph Conrad’s novel “Heart of Darkness”.

1988