Andy Warhol - SKETCHLINE

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August 6, 1928, Pittsburgh, the USA - February 22, 1987, New York, the USA

Andy Warhol

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An innovative American artist, designer, publisher, filmmaker, producer, writer and collector. Andy Warhol, the founder of the homo universale ideology, was an outstanding personality in contemporary world art in general and the history of pop art in particular. He also entered the history of art as the creator of “commercial pop art”.

Warhol, who came from a low-income family of Eastern European immigrants that grew up in Pittsburgh during the time of the severe crisis, managed to become the highest-paid successful commercial illustrator in New York before he even began to engage in the art intended for galleries. His multiple imprinted images of Marilyn Monroe and other superstars, shoes, tin cans, quickly became synonymous with Pop art. In the 1960s, he was the producer and manager of the first alternative rock band, The Velvet Underground. The artist became an icon of the newest style for the bohemian New York, entered the circles of high society. His final achievement was the successful elevation of his name to the level of a popular idol and world celebrity. Several documentary films and feature films have been shot about the life of Warhol. The Warhol Museum was opened in 1994 in Pittsburgh; it houses and exhibits a large collection of works by the artist and director.

Key ideas:

– In general, Warhol’s philosophy was to look closely at ordinary objects and the ability to see them, like the whole world, from a different angle, as well as a large share of self-irony. The artist, sincerely convinced that there was nothing shameful in commercial painting, proved this with his creativity, transferring “images” of cans and other utilitarian objects to canvas.

– His early drawings and collages in the styles of neo-primitivism and neo-Dadaism were often comical, decorative and bizarre. His commercial illustrations became an arena, working on which, he learned to surprise and skillfully manipulate the tastes of the consumer. Their tone is very different from the works of pop art, often impersonal in the mood.

– The style of mature paintings by Warhol can be considered naturalistic pop art, although the master often used generalizing visual means. For example, the portraits of celebrities are sometimes distinguished by idealized features; sometimes, they resemble a rather penurious squeeze from the look of a specific character.

– The artist conveyed his mood either by silver-black tones or by bright colours; the use of neon tones at the end of his creative career is a cry about unexpressed feelings and thoughts. The viewer always feels the informational message that Andy wanted to convey to the public. The iconic images, still causing much controversy, are interpreted by some art historians as compassion for humanity, which is losing its ability to empathize.

– Pop art has become a new important stage in blurring the boundaries between high and low forms of art. Paintings by Warhol, as well as his directorial and publishing activities, expanded the influence of Pop art on other spheres of culture.

Andy Warhol

On Artist

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Neo-primitivism

Neo-Dada

Pop art

Conceptual art

friends

Philip Pearlstein

Robert Rauschenberg

artists

Marcel Duchamp

Joseph Beuys

Frank Stella

By Artist

flow

Pop art

friends

Robert Rauschenberg

artists

Jean-Michel Basquiat

Leonard Kessler

Francesco Clemente

Damien Hirst

Keith Haring

Jeff Koons

Takashi Murakami

Richard Prince

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One of the last works of Warhol, where the master switched from closely “viewing” and replicating celebrities of his time to world-famous politicians.

1987

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Many art connoisseurs and critics agree that Warhol's most successful artworks were self-portraits. In this late work, the author focused on the head and the wig (it is known that Andy, who had become bald early, wore wigs for many years).

1986

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This work in the silk-screen printing technique was included in the cycle “Endangered Species” (the name for the cycle “Animals in Make-up” is also found). The series, ten species of rare animals whose existence is under threat, was ordered by the gallery owners, famous animal defenders R. and F. Feldman. Grevy’s zebra that disappeared from some habitats is the rarest subspecies of the zebra family.

1983

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The series was created as the artist’s reaction to the visit of President Nixon to China. Warhol used a black and white image of Mao from a famous communist publication and painted hundreds of portraits of the totalitarian ruler of various sizes.

1973

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Among the works of Warhol, who rarely went beyond the context of American culture, there are four colourful portraits of Queen Elizabeth II. They were made based on official photographs taken during the celebration of the silver jubilee of the august person of the United Kingdom.

1971

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Warhol took an image for this work from the movie “Flaming Star” (1960). One of the paintings with the image of Elvis was first shown at the second solo exhibition of Warhol at the Ferus Gallery in Los Angeles in 1963.

1963

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This is a work from the Death and Disaster series in which Warhol used images from daily newspapers. The author applied the photo-silk-screening method to duplicate the plot on the canvas. The repetitions of the image, its fragmentation and distortion are essential to create a strong effect - the artist wanted to shock the viewer.

1963

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The sudden death of superstar Monroe from an overdose of sleeping pills excited many. Warhol, passionate about pop culture, used a photograph of the actress from the movie Niagara (1953) for this work.

1962

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By the 1960s, the New York art world was filled with works in the style of abstract expressionism. Warhol became one of the artists who felt the need to return images to the visual arts. Interior designer and gallery owner M. Latow proposed him the idea of ​​depicting objects that people use every day.

1962

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The artist’s early works are characterized by a combination of neo-primitivism, expressionism and neo-dadaism. In this work, conditional and multi-scale figures (six of them) are placed in space arbitrarily.

1947