Was born into a Carpatho-Rusyn family, who immigrated to the United States from eastern Slovakia in the early 1920s; he was the youngest of three sons.
August 6, 1928, Pittsburgh, the USA - February 22, 1987, New York, the USA
An innovative American artist, designer, publisher, filmmaker, producer, writer and collector. Andy Warhol, the founder of the homo universale ideology, was an outstanding personality in contemporary world art in general and the history of pop art in particular. He also entered the history of art as the creator of “commercial pop art”.
Warhol, who came from a low-income family of Eastern European immigrants that grew up in Pittsburgh during the time of the severe crisis, managed to become the highest-paid successful commercial illustrator in New York before he even began to engage in the art intended for galleries. His multiple imprinted images of Marilyn Monroe and other superstars, shoes, tin cans, quickly became synonymous with Pop art. In the 1960s, he was the producer and manager of the first alternative rock band, The Velvet Underground. The artist became an icon of the newest style for the bohemian New York, entered the circles of high society. His final achievement was the successful elevation of his name to the level of a popular idol and world celebrity. Several documentary films and feature films have been shot about the life of Warhol. The Warhol Museum was opened in 1994 in Pittsburgh; it houses and exhibits a large collection of works by the artist and director.
Key ideas:
– In general, Warhol’s philosophy was to look closely at ordinary objects and the ability to see them, like the whole world, from a different angle, as well as a large share of self-irony. The artist, sincerely convinced that there was nothing shameful in commercial painting, proved this with his creativity, transferring “images” of cans and other utilitarian objects to canvas.
– His early drawings and collages in the styles of neo-primitivism and neo-Dadaism were often comical, decorative and bizarre. His commercial illustrations became an arena, working on which, he learned to surprise and skillfully manipulate the tastes of the consumer. Their tone is very different from the works of pop art, often impersonal in the mood.
– The style of mature paintings by Warhol can be considered naturalistic pop art, although the master often used generalizing visual means. For example, the portraits of celebrities are sometimes distinguished by idealized features; sometimes, they resemble a rather penurious squeeze from the look of a specific character.
– The artist conveyed his mood either by silver-black tones or by bright colours; the use of neon tones at the end of his creative career is a cry about unexpressed feelings and thoughts. The viewer always feels the informational message that Andy wanted to convey to the public. The iconic images, still causing much controversy, are interpreted by some art historians as compassion for humanity, which is losing its ability to empathize.
– Pop art has become a new important stage in blurring the boundaries between high and low forms of art. Paintings by Warhol, as well as his directorial and publishing activities, expanded the influence of Pop art on other spheres of culture.
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1981
Was born into a Carpatho-Rusyn family, who immigrated to the United States from eastern Slovakia in the early 1920s; he was the youngest of three sons.
Graduated from Shenley High School, was among the best graduates; entered the Carnegie Institute of Technology (now Carnegie Mellon University), where he graduated with a bachelor of fine arts in graphic design.
After moving to New York with his friend, artist F. Pearlstein, he worked as an illustrator in all major fashion magazines, including Glamor, Vogue and Harpers Bazaar.
Exhibited fifteen drawings based on the works of Truman Capote at his first solo exhibition at the Hugo Gallery in New York.
Took part in a group exhibition at the Museum of Modern Art in New York. Paying attention to such artists as Robert Rauschenberg and J. John, he decided to expand his own artistic experiments. His solo exhibition entitled “Studies for a Boy Book” was held at the Bodley Gallery.
Moved to a townhouse in the Upper East Side of Manhattan. He began to use his ideas in comics and advertising – created a design for Coca-Cola cans. His works of early pop art are characterized by recognizable strokes, which subsequently disappeared.
Created paintings from the Campbell Soups series by projecting original images onto a canvas. The artist experimented with many different methods of applying paint to the canvas.
He began to study and apply silk-screen printing, which allowed him to repeat the motif several times, creating a serial image that resembles mass production. Screen printing processes completely freed the paintings from brush strokes.
He moved to a new building, which later became known as the “Factory”. Having achieved financial prosperity, he was able to hire several assistants to carry out major work. After that, he could achieve what delighted him in the idea of Duchamp – resolutely remove his hand from the canvas, massively creating repeating images. He duplicated full-size Brillo boxes, later printed labels on plywood.
Developed the project “The Exploding Plastic Inevitable” (EPI). Published the book “Andy Warhol’s Index”. The following year, miraculously surviving after an attempt on his life done by feminist Valerie Solanas, he decided to distance himself from the bohemian entourage.
He founded the magazine “Interview” together with his friend Gerard Malanga; it was devoted to cinema, fashion, life and the work of celebrities (it has still been published). Two years later, his design for the cover of Rolling Stones’ album “Sticky Fingers” was nominated for a Grammy Award.
Started using religious topics (for example, the version of The Last Supper by Leonardo da Vinci). The artist disrespectfully combined the sacred and the commonplace, comparing the logos of the stamps with the images of Christ and the Apostles.
flow
Neo-primitivism
Neo-Dada
Pop art
Conceptual art
friends
Philip Pearlstein
Robert Rauschenberg
artists
Marcel Duchamp
Joseph Beuys
Frank Stella
flow
Pop art
friends
Robert Rauschenberg
artists
Jean-Michel Basquiat
Leonard Kessler
Francesco Clemente
Damien Hirst
Keith Haring
Jeff Koons
Takashi Murakami
Richard Prince
description
This work in the silk-screen printing technique was included in the cycle “Endangered Species” (the name for the cycle “Animals in Make-up” is also found). The series, ten species of rare animals whose existence is under threat, was ordered by the gallery owners, famous animal defenders R. and F. Feldman. Grevy’s zebra that disappeared from some habitats is the rarest subspecies of the zebra family.
1983
description
This is a work from the Death and Disaster series in which Warhol used images from daily newspapers. The author applied the photo-silk-screening method to duplicate the plot on the canvas. The repetitions of the image, its fragmentation and distortion are essential to create a strong effect - the artist wanted to shock the viewer.
1963
description
By the 1960s, the New York art world was filled with works in the style of abstract expressionism. Warhol became one of the artists who felt the need to return images to the visual arts. Interior designer and gallery owner M. Latow proposed him the idea of depicting objects that people use every day.
1962