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Olga Rozanova

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Olga Vladimirovna Rozanova was a Russian avant-garde artist in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism.

test:Suprematism

Question

Olga Vladimirovna Rozanova, the largest representative of the Russian avant-garde, was originally from the Vladimir province

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Abstract Composition. 1910

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Abstract Composition. 1910

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Question

At the studio-workshop of K. Yuon, Rozanova studied with her friends and future avant-garde women…

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Still Life with Peatcher and Apples. 1910

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Still Life with Peatcher and Apples. 1910

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Question

In 1910, O. Rozanova took part in the creation of the Union of Youth Artists’ Society together with three of these artists. Who should be removed from this list?

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The Composition with the Train. 1910

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The Composition with the Train. 1910

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Question

During Rozanova’s short career, which was less than 10 years, her style developed rapidly, absorbing several art styles. Those do not include…

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Queen of diamonds. 1915

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Queen of diamonds. 1915

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Question

O. Rozanova was friends with many Futurist poets. Who of them was her lover?

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Room. 1915

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Room. 1915

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Question

His first Neo-primitivist paintings (the most famous among them are “A red house” and “Landscape with a carter”) were painted from life during the stay of the artist…

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Sideboard with dishes. 1915

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Sideboard with dishes. 1915

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Question

In the book for Futurists “A word as it is”, three famous painters along with Rozanova are mentioned as members of a group of those who “write and watch in the blink of an eye”. Who should not be included in this list?

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Option 4

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Scetch of the Composition. 1916

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Scetch of the Composition. 1916

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Color Painting (Non-Objective Composition). 1917

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Color Painting (Non-Objective Composition). 1917

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Question

In all the periods of Rozanova’s career, she was convinced that the main shaping tool in the painting is

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Non-objective Composition. 1917

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Non-objective Composition. 1917

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Collage. 1918

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Collage. 1918

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Question

The range of Rozanova’s work, apart from fine arts, is defined by art historians as

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Blue on Tin

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Blue on Tin

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Question

This still life by Rozanova is considered an example of “cubofuturism”. Objects occupy the entire space of the picture and are arranged in segments of a circle, in rectangles. Despite the fact that the planes crawl over one another, the composition is holistic and harmonious.

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Non-objective Composition

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Non-objective Composition

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Question

O. Rozanova most often called her non-objective compositions

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Option 4

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Universal war. 1916

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Universal war. 1916

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Question

In which of the listed styles did O. Rozanova not work?

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Magazine Souz Molodyozhi [Union of Youth]. 1913

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Magazine Souz Molodyozhi [Union of Youth]. 1913

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Question

Which of the female artists, Rozanova’s contemporaries, is NOT considered “an amazon of the Russian avant-garde”?

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Boulevard. 1911

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Boulevard. 1911

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Question

Which famous painting by O. Rozanova fits the description: “One of the few Russian art masterpieces that fully corresponds to the futuristic style. The composition painted from the upper and diagonal angles of view, conveys the impression of a red and yellow arrow screwing into a city street full of people. The fullness of the entire narrow space of a variety of elements and figures is impressive”.

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City on Fire

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City on Fire

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Question

Which paintings of O. Rozanova, created in the manner of bright luboks, are characterized by the interweaving of irony and drama?

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Simultaneous Representation of a King of Hearts and a King of Diamonds. 1915

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Simultaneous Representation of a King of Hearts and a King of Diamonds. 1915

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Question

As a designer, Rozanova was engaged in the design of books and

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Workbox. 1915

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Workbox. 1915

test:Suprematism

Olga Rozanova

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Olga Vladimirovna Rozanova was a Russian avant-garde artist in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism.