Edgar Degas - SKETCHLINE

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Edgar Degas

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Edgar Degas was a French painter and one of the brightest representatives of the Impressionist movement. When he was young, his father prophesied the career of a lawyer. However, Degas was more interested in arts and admired painting. The young artist was born into a rich aristocratic family, and therefore could devote all his time to the arts without having to worry about money.

Degas’ first teacher was famous painter Louis Lamotte, who managed to convey a love for clear contours to his student. In addition, the young artist often visited Italian museums and the Louvre, where he studied the works of famous artists.

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Degas developed his love for sharp precise drawing contours and the readable shape under the influence of an artist who had been an authority for him all his life. It was…

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Although portraits were the basis of Degas’s early work, he also paid attention to…

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In his early paintings, created in a dark and restrained palette, there are three main features inherent in all the work of Degas. Choose an incorrect statement:

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This work is considered outstanding among the pre-impressionist paintings of Degas. He started to paint it in Florence. The composition is carefully thought out, and the figures are depicted in full size. The power and depth reveal the author’s desire to follow the Italian Renaissance. However, Degas achieved freshness in the group portrait, first of all, by the lively poses of the characters. The picture is called…

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1867

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1867

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One of his significant works in a realistic manner is a multi-figured composition. Degas painted several of his relatives, using the technique of contrasting white and black in the general ocher interior. His painting presented at the Impressionist exhibition was defined by people as too mundane. Degas painted this work while visiting…

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“The Absinthe Drinker”. 1876

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“The Absinthe Drinker”. 1876

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Art critics refer this work not to painting, but to drawing due to its monochrome gamma. An exceptional painting by Degas is distinguished by the richness of exquisite gray color and careful drawing. Later, the artist created two paintings similar in composition and plot, but richer in color:

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1874

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1874

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Degas began to pay more attention to the genre of sculpture, when his eyesight began to deteriorate. What subjects for sculptures did he adhere to?

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The group “Anonymous Society of Artists” (Paris, 1973), in addition to Degas, included 5 painters. Who should not be included in this list?

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French painter Édouard Manet was one of the first 19th-century artists to paint modern life and a pivotal figure in the transition from Realism to Impressionism.

Edouard’s father did not want him to become an artist and prophesied a brilliant career for him as a lawyer. Despite that, Manet devoted himself to the arts.

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French painter Édouard Manet was one of the first 19th-century artists to paint modern life and a pivotal figure in the transition from Realism to Impressionism.

Edouard’s father did not want him to become an artist and prophesied a brilliant career for him as a lawyer. Despite that, Manet devoted himself to the arts.

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In 1874, Degas showed his 10 works at the first exhibition of Impressionists; one of them was sold for 5 000 francs. The name of this painting is…

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“Even a full hat of diamonds would not give me as much joy as what I experienced when broke it for the pleasure of starting to make again…” This statement of Degas refers to the sculpture

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Degas never married anyone; however, he was generously endowed with female friendships. Two of the listed Impressionist artists were the most friendly with the master:

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Mary Stevenson Cassatt was an American Impressionist. The main subjects of her works are the social and personal life of women and motherhood.

She started her creative career with works in the classical style, but later joined the Impressionists. The main mentor and close friend of the artist was Edgar Degas. The works of Mary Cassatt are distinguished by a special lyricism and naturalness. Despite the positive mood of all her paintings, Mary Cassatt’s life was not so carefree. Unsupported by her father, she was unrecognized in the United States.

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Mary Stevenson Cassatt was an American Impressionist. The main subjects of her works are the social and personal life of women and motherhood.

She started her creative career with works in the classical style, but later joined the Impressionists. The main mentor and close friend of the artist was Edgar Degas. The works of Mary Cassatt are distinguished by a special lyricism and naturalness. Despite the positive mood of all her paintings, Mary Cassatt’s life was not so carefree. Unsupported by her father, she was unrecognized in the United States.

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The first sculptures made by Degas as a visual for paintings were

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In the painting of musicians, Degas shows the character of each of them; in the box, you can see the recognizable face of composer E. Chabrier. However, the scene is marked by the legs of ballerinas – their heads are not seen. The method of using elements remaining outside the picture characteristic of Degas is used, in particular, in two pictures:

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Whose artistic talent revealed thanks to the support of E. Degas and O. Renoir?

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The technique in which Degas primarily worked when he began to rapidly lose his eyesight

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Almost all Impressionists and their followers created a painting with the same or a similar name. The realism of the plot with two characters proves that the artist is not indifferent to current social problems. It is about the painting

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1876

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1876

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E. Degas’s instantly recognizable “visiting card” is a painting named

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1897

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1897

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Edgar Degas

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Edgar Degas was a French painter and one of the brightest representatives of the Impressionist movement. When he was young, his father prophesied the career of a lawyer. However, Degas was more interested in arts and admired painting. The young artist was born into a rich aristocratic family, and therefore could devote all his time to the arts without having to worry about money.

Degas’ first teacher was famous painter Louis Lamotte, who managed to convey a love for clear contours to his student. In addition, the young artist often visited Italian museums and the Louvre, where he studied the works of famous artists.