Pablo Picasso - paintings and biography - SKETCHLINE

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1881 - 1973

Pablo Picasso

description

Pablo Picasso was a Spanish and French artist, sculptor, graphic artist, theatre artist, ceramicist and designer. He was the founder of Cubism (together with Georges Braque and Juan Gris), in which the three-dimensional body was drawn in an original manner – as a series of superimposed planes. Also, it is known that his paintings hold first place in “popularity” among thieves.

Picasso began painting when he was a child. According to his mother, his first words were “piz, piz”, a shortening of lápiz, the Spanish word for “pencil”. His first painting teacher was his own father, artist José Ruiz y Blasco. At the age of 8, a young Pablo created his first oil painting “Picador”, which he would keep with him throughout his life. Having moved to northern Spain, he studied at a local art school. After that, he went to an art school in Barcelona.

Picasso’s work can be categorized into a few periods:

Blue period (1901-1904).

Rose Period (1904–1906).

African art and primitivism (1907–1909).

Analytic Cubism (1909–1912).

Synthetic Cubism (1912–1919).

Neoclassicism and surrealism (1919–1929).

The Great Depression (1930–1939).

World War II and late 1940s (1939–1949).

Later works (1949–1973).

The total number of artworks Pablo produced has been estimated at 50,000, consisting of 1,885 paintings, 1,228 sculptures, 2,880 ceramics, roughly 12,000 drawings, many thousands of prints, and numerous tapestries and rugs.

The work of Picasso significantly influenced the development of 20th-century art. In the 1960s, the Paris Picasso Museum opened. It is housed in five mansions. In 2003, the Picasso Museum was opened in the artist’s hometown of Malaga. Picasso’s works remain the world’s most expensive paintings.




Key ideas:

– During the Blue period, Picasso was impressed by paintings from the Impressionists and started using a bright palette and clear contour lines. Blue shades predominated his early palette. His works from this era touched on the themes of old age, death, poverty, melancholy and sadness. As Picasso himself said, “those who are sad are sincere.” Picasso mostly drew blind people, beggars, alcoholics and prostitutes.

– During the Rose period, Picasso depicted circus artists: clowns, dancers and acrobats. He became interested in this topic after settling down in Paris. The artist gave preference to pink colours. His paintings from this period are infused with the tragic loneliness that accompanied the destitute, romantic life of wandering comedians.

– In 1907, Picasso first saw archaic African art at an ethnographic exhibition at the Trocadero Museum. Having admired those works, he paid tribute and simplified their shapes, making his characters resemble wood or stone idols. The characters of the artist’s paintings, like many African tribes, are very close to nature. This period lasted until 1909 and was named the “period of African art and primitivism”.

– In 1909, the artist started developing Analytic Cubism, using monochrome brownish and neutral colours. He took apart objects and “analyzed” them in terms of their shapes. Special attention was paid to the transformation of shapes into geometric blocks. Increasing fragments, the artist “broke” objects, dissecting them on canvases. Picasso considered this space to be a “solid body”, limited by the plane of the canvas. Women became frequent “victims” of the methods of “dismembering” models and experiments with colour. They often looked disturbing.

– Synthetic Cubism (1912–1919) was a further development in the genre of Cubism. Picasso rejected the idea of a window to the world and began to interpret it as the arrangement of signs. He used various, sometimes metaphorical, materials to refer to these objects, unusual fonts for signs, numbers and words. Paper fragments – often wallpaper or portions of newspaper pages – were cut and pasted into compositions, marking the first use of collage in fine art. However, all this made Picasso’s paintings appear like abstract art. The artist was not satisfied with this, and as a result, lost interest in Cubism a few years later.

– During the Neoclassicism period, Picasso realized that he was interested in painting only. “Art never makes me tired. I could not live without giving all my time to it. I love it as the only goal of my life.”

– In post-war Paris, euphoria dominated and the overall success of society induced the artist to return to figurativeness. Nevertheless, since Picasso continued to do many cubist still-lifes, this was temporary.

– Surrealism revived Picasso’s attraction to primitivism and eroticism. He developed new imagery and formal syntax for expressing himself emotionally.

– In the late period, Picasso – who had always respected the classics – turned to his beloved artists of the past and drew modern canvases, using compositions of Velazquez, Rembrandt, Poussin, Goya and Enger. He also led explicit artistic dialogues with Courbet, Manet and others.




Pablo Picasso

On Artist

flow

Classicism

Impressionism

friends

George Braque

Patrick Henry Bruce

Constantin Brancusi

Man Ray

Max Jacob

Christopher Wood

Mikhail Boychuk

Carlos Casagemas

Jaime Sabartes

artists

Louis Anketen

Emile Bernard

Henri de Toulouse-Lautrec

Edouard Manet

Henri Matisse

Edvard Munch

Gustave Courbet

Mark Shagal

Henri Rousseau

El Greco

Francisco de Goya

Paul Gauguin

Paul Cezanne

Auguste Rodin

Nicolas Poussin

Pierre Auguste Renoir

Jose Ruiz Blasco

By Artist

flow

Surrealism

Abstract expressionism

Cubism

Pop Art

Conceptualism

friends

George Braque

Lado Gudiashvili

Kes van Dongen

Jean Metzinger

Lev Bakst

Patrick Henry Bruce

Constantin Brancusi

Man Ray

Max Jacob

Christopher Wood

Mikhail Boychuk

artists

Kazimir Malevich

Diego Rivera

George Valmier

Louis Marcoussis

Max Weber

Roger de la Freinet

Mark Shagal

Amedeo Modiglian

Willem de Kuning

Jasper Johns

Arshil Gorki

Lee Krasner

Jackson Pollock

Robert Delone

Pete Mondrian

Karel Appel

Balcomb Green

Francis Bacon

David Alfaro Siqueiros

Salvador Dali

Tamara de Lempicka

Vilhelm Lundstrom

description

Mediums: oil, canvas. Location: private collection.

1955

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Mediums: oil, canvas. Dimensions: 349 x 776 сm. Location: Museo Nacional Centro de Arte Reina Sofía (MNCARS), Madrid, Spain.

1937

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Mediums: oil, canvas. Location: Museum of Modern Art, New York.

1918

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Mediums: oil, canvas. Dimensions: 92 x 73 сm. Location: National Gallery, London.

1914

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Mediums: oil, canvas. Dimensions: 100 x 81,3 сm. Location: private collection.

1905

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Mediums: oil, canvas. Location: Detroit Institute of Arts, Michigan.

1916

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Mediums: oil, canvas. Dimensions: 100,3 x 73,6 сm. Location: Museum of Modern Art, New York.

1910

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Mediums: oil, canvas. Dimensions: 60 x 49 сm. Location: Museum of Modern Art, New York.

1937

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Mediums: oil, panel. Dimensions: 121,3 x 82,5 сm. Location: Art Institute of Chicago.

1903 - 1904