Jasper Johns - SKETCHLINE

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1930

Jasper Johns

description

An American artist and sculptor, a significant figure of modern painting and sculpture, one of the most commercially successful artists of the 20th century. Jasper Johns expressed the idea that art can be understood and close to each person, and not just for particular connoisseurs.

Having abandoned the principles of Abstract Expressionism, misty and distant from people, he used generally known things, symbols of a certain phenomenon, ideas or just everyday habits in his paintings. His most famous picture of this style is “The American flag” – a recognizable and familiar to everyone national symbol, which the artist turned into a colourful painting.

The name of Jasper Johns is often remembered together with another painter, his close friend and colleague Robert Rauschenberg. After Johns met him, his style significantly changed, and his ideas were realized in original and truly innovative works.

The artist’s use of simple objects, for example, beer cans, which he made as a work of art, makes his work related to a conceptual approach to fine art. With his creations, the artist deliberately violated the boundaries between art and everyday life; this marked the beginning of the pop art movement that was extremely popular in the USA in the second half of the 20th century.

The artist currently lives in Connecticut and is considered the most expensive of the living painters.

Key ideas:

– Instead of depicting reality or abstraction, Jasper Johns used symbols in his painting. Any object could become such a symbol; the main thing is that the viewer knows it for sure and has repeatedly met this symbol throughout his life. The recognisability of the object known from childhood creates a unique atmosphere of the painting and causes an instant emotional response.

– Like his predecessor Marcel Duchamp, Jones bases his works on mental associations. He makes compositions in such a way as to make the viewer independently determine the theme and plot of the picture. Therefore, the artist never commented on his work, avoiding any explanations that could make a person abandon their thoughts and feelings.

– Jasper Johns often used ready objects in his works: newspaper clippings, stickers, labels, and even cans from famous drinks, skillfully turning them into art objects. This makes his work similar to Dadaism and a conceptual art movement. This technique completely erases the distinction between everyday life and high art.

– Being a real experimenter, Jasper Johns never stopped there. He tried his hand in various types of fine art, including sculpture and unusual graphic techniques. For his colourful paintings, he used an original mixture of wax-based paints, which gives his canvases a distinct texture and colour. The sculptures of the American artist are everyday things cast from bronze: a flashlight, a lamp, a beer can, etc.

Jasper Johns

On Artist

flow

Abstract expressionism

Dada

Pop Art

friends

Robert Rauschenberg

artists

Pablo Picasso

Lee Krasner

Marcel Duchamp

Willem de Kooning

Arshile Gorky

By Artist

flow

Pop Art

Neo-dada

friends

Cy Twombly

John Cage

artists

Andy Warhole

Ed Rush

Roy Lichtenstein

Klas Oldenburg

Frank Stella

description

Mediums: еncaustic, canvas, rope, wood, metal. Location: the collection of the artist.

1999

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Mediums: encaustic , canvas. Location: the collection of the artist.

1986

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Mediums: lithography. Location: The Museum of Fine Arts, Houston, Texas, the USA.

1981

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Mediums: oil, newspaper, canvas. Location: private collection.

1964

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Mediums: oil, canvas. Location: private collection.

1962

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Mediums: bronze, enamel. Location: private collection.

1960

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Mediums: oil, canvas. Location: private collection.

1959

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Mediums: encaustic, oil, newsprint, charcoal, canvas. Location: The Metropolitan Museum of Art, New York, the USA.

1955

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Mediums: paper, encaustic, gypsum, canvas, wood. Location: The Museum of Modern Art, New York, the USA.

1955

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Mediums: сollage, encaustic, oil, fabric, plywood. Location: The Museum of Modern Art, New York, the USA.

1954 - 1955