Cy Twombly - SKETCHLINE

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April 25, 1929, Lexington, the USA - July 5, 2011, Rome, Italy

Cy Twombly

description

Cy Twombly (his real name was Edwin Parker Twombly) was an American painter and sculptor, one of the most incomprehensible artists, whose paintings cause constant debate and discussion in the art world. Most of his works are white canvases, covered with multi-coloured scribbles, lines and chaotic spots. The artist often uses various inscriptions in his works, making them look like urban elemental art of graffiti. Moreover, the name and meaning of the works are referred to ancient myths, classical paintings and cultures of various nationalities.

As a young artist, Cy Twombly made a very unexpected decision – to leave the United States, where he was born and raised, and permanently move to Italy. There, among the extraordinary natural beauties and rich culture, the artist created the majority of his notable works that combine aspects of both traditional European sources and new American painting.

Cy Twombly is one of the most expensive contemporary artists: his works sold at various auctions brought about $ 90 million to his author. In spite of this, the artist’s creativity is striking in simple or even primitive expressive means. His paintings are not like works of art but rather resemble children’s drawings. However, this simplicity and freedom of expression, improvisation on canvas create the attractiveness characteristic of the author’s works, for which collectors pay millions of dollars at auctions.

Key ideas:

– The creative manner of the artist is very peculiar. It consists in the chaotic application of lines, scratches and colour spots on the canvas, which carry a strong emotional charge and expression. The artist often used various inscriptions in his works, sometimes similar to street graffiti, and sometimes to scribbles of a child who is only learning to write. In his later works, Cy Twombly used words and numbers that partly clarified the meaning of his painting.

– Twombly painted most of his works on canvases covered with pure white paint. He covered his sculptural compositions with this colour. The artist said that the white colour reminded him of classical sculpture, which is the basis of all visual art, including his work.

– All Twombly’s creations are based on mythological themes, paintings by old masters and the traditions of Neoclassicism. The connection with history and art is expressed not only in the names of works but also symbols, sometimes difficult to distinguish, deeply hidden under the chaotic layering of tangled strokes and lines.

– Creating a painting was always a special process for Cy Twombly. On the canvas, he freely expressed his emotions and thoughts. The artist perceived the canvas as a surface onto which he can freely project his psychological and physical energy with a brush. Twombly gave his works an unusual name – “psychograms.” It is a direct reflection of the artist’s inner world.

– Twombly’s work is closely linked to American Abstract Expressionism. It is intuitive and spontaneous, as we can see in the free use of the line and no less free colour solutions. The artist’s bright colours flow, pour and spray, spreading to the surrounding space – it seems that they go far beyond the canvas.

 

Cy Twombly

On Artist

flow

Dadaism

Surrealism

Classical Art

Minimalism

Abstract Expressionism

Action Painting

friends

Jasper Jones

Robert Rauschenberg

artists

Alberto Giacometti

Jackson Pollock

Willem de Kooning

Jean Dubuffet

Franz Klein

By Artist

flow

Minimalism

friends

Jasper Jones

artists

Jean-Michel Basquiat

Anselm Kiefer

Francesco Clemente

Julian Schnabel

description

In the late period of creativity, Twombly returned to his graphic experiments, covering the canvas with rhythmically repeating scribbles, similar to how someone paints with a ballpoint pen.

2008

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In Twombly’s work, completely abstract compositions gradually turn into recognizable objects, such as Peonies. The artist was inspired by Japanese art and poetry, in which he became interested in the early 2000s.

2007

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The Battle of Lepanto is a historical event that occurred on October 7, 1571, near the coast of Greece. It was a major naval battle in which the crucial confrontation of several European countries and the Ottoman Empire was going on.

2001

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The theme of the picture, which is included in a cycle of ten works, was the story of Egyptian pharaoh Sesostris mentioned in the writings of Herodotus. The work is made in the manner typical of Twombly - abstract coloured spots and lines are randomly arranged on a white background.

2000

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This is the second picture from the cycle "Seasons", which Twombly created following the example of the classical tradition. Working on the painting, the artist arranged it vertically and applied the paint by spraying, letting the liquid material flow down freely.

1993 - 1994

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Unlike most of Twombly’s works, the painting “Summer Madness” does not refer to any historical or mythological sources. Its content is based on the artist’s simple impression of the summer abundance and riot of colours, which is directly reflected in the title.

1990

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Hero and Leander are the heroes of an ancient myth in which the lover of the beautiful priestess dies in the waves of the raging sea. Based on this myth, English Renaissance poet Christopher Marlowe wrote an erotic poem that inspired Twombly to create four paintings on this theme.

1985

description

The repeating rhythmic pattern on the canvas is very similar to a blackboard, on which children practice calligraphy. However, unlike school exercises, the lines in the picture by Twombly are not converted into words or numbers but remain separately existing, not denoting the elements of the overall composition.

1970

description

One of the nine paintings that make up the series dedicated to the assassination of ancient Roman emperor Commodus in 192 AD. It was created after the murder of Kennedy, and the white-red spots and splashes prevailing in it give reason to believe that it is a reaction to this event.

1963

description

The painting was painted after the artist moved from America to Rome and reflected his interest in antiquity and ancient culture. It is based on the old Roman myth about how Jupiter, turning into a swan, seduced the beautiful Leda.

1962