Bernard Buffet - SKETCHLINE

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1928 - 1999

Bernard Buffet

description

A French painter and graphic artist, lithographer and sculptor, a creator of a distinctively special sketch style that combined avant-garde painting with salon art.

Was born into the family of a factory director. Was expelled from the Carnot lyceum with the wording of the Directorate: “he does not know how to learn and must find his own way in drawing”. The youth of the future artist passed in the occupied city, where the shortage of the most necessary and the absence of freedom were acutely felt. In 1943 – 1945, he attended the evening courses of the School of Drawing from Darfeil and studied at the School of Fine Arts in the studio of artist Narbonne, who recognized the genius of his pupil. His fellow students were M. Boitel, J. Picco, L. Willermoz.

He was already recognized by the age of 20, for works that conveyed a melancholic mood and reflected the atmosphere in society after World War II.
B. Buffet was greatly recognized during his lifetime, he was awarded many prestigious awards and prizes. Several paintings from the Passion of Christ series are in the Vatican Museum (Modern Religious Art Collection) the artist who created over 8,000 works is represented in dozens of the best museums around the world. In France and Japan, there are museums of the artist.

Key ideas:

– Initially, the artist became famous as the author of melancholic, dull, almost monochrome portraits, genre paintings and still lifes – this style reflected the mood of the first post-war years (late 1940s). Angular figures with wistfully alienated faces, too thin due to the elongated proportions, are depicted in deliberately uncomfortable interiors without a hint of detail – just against the background of bare walls. With its mundane commonness, such a painting shocked the public. The expression of Bernard Buffet was absolutely different from the one that a viewer was accustomed to perceive – the heart squeezed from the sight of restless objects.

– However, miserabelism (from the French. “Unfortunate”) of early work for the author himself was Realism. He said in an interview: “Optimism has always seemed to me a form of weakness,” adding that the concept of Realism for him corresponded to the simple recognition of objects as such. If a viewer “recognizes” the tree, not matter how it is depicted; it means that the artist is realistic.

– Later, in the 1950s and 1960s, the works of Buffet flourished with bright, though still rather stingy, colorful accents. Individual themes began to grow more often into large panels that were compiled in numerous series. Among them, there are the “Passion of Christ”, “Circus” and “Birds”. Separate exhibitions were filled with Parisian, New York and St. Petersburg architectural landscapes.

– The historical themes (“French Revolution” and others), literary plots (“The Divine Comedy” by Dante, “Don Quixote” by Cervantes, etc.) stood apart. At the same time, the special style of the artist remained unchanged – tough, with graphically “prickly” strong strokes. Art critics call such a technique the “sketch style” of a creator working from inner need, like an obsessive or mystic.

– The master often created engravings, lithographs (dry needle and other techniques) and complete series of illustrative cycles for different texts, in particular, F. Sagan’s novels, Baudelaire’s poems. He embodied individual motifs in sculpture – it differs in the same “laconic” style as Bernard Buffet’s painting. The first two sculptures are exhibited at the artist’s museum in Japan. “To tear him away from art would be almost murder,” his wife Annabel said. That is why, realizing that he could no longer paint due to his illness, the artist decided to die voluntarily.

Bernard Buffet

On Artist

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Символизм

Реализм

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Буатель Морис

Луис Вуйлермоз

artists

Гюстав Курбе

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Фрэнсис Бэкон

Пабло Пикассо

description

Location: Tate Gallery, London, England.

1967

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Location: private collection.

1960

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Location: National Museum of Contemporary Art, Paris.

1948

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Location: Maurice Garnier Gallery, Paris.

1947

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Location: Museum of Contemporary Art, New York, USA.

1949

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Mediums: oil, canvas. Location: Pompidou Center of Contemporary Art, Paris.

1946