1924
Mediums: paper, gouache.
Location: The Museum of Organic Culture, Kolomna (Russia).
In the 1920s, painting by Matyushin became similar to the color-light orbit of the Earth. He created a series of “meditation” landscapes, mostly on the theme of the earth meeting with the sky. Whether this sky descends, or the earth tends to ascend high – the impression is twofold. Matyushin as a researcher occupies a place in the history of Russian avant-garde art as the creator of “extended viewing” – the original theory, which he based on the study of spaces and the principles of interpenetration of color in the environment, in the form and sound.