Was born into a large Jewish family, where there were ten more children apart from him. Yakov’s father owned several restaurants but soon went broke; the family moved to Odesa.
December 5 (17), 1889, Pavlograd, Ekaterinoslav province, (Russian Empire) - May 9, 1951, Moscow (USSR)
Yakov Georgievich Chernikhov was a Soviet architect and graphic artist, author of scientific works on the theory of architecture and a talented teacher. His name is not well known in Ukraine, although he was born in the current Dnepropetrovsk region and lived in Odesa for about ten years, studied at the Higher Art School. Possessing powerful spatial thinking and imagination, Chernikhov devoted his life to creating bold architectural projects in the spirit of Constructivism and became the spokesman for the ideas of the avant-garde of the early 20th century, which influenced many modern architects.
Yakov Chernikhov was the largest representative of the genre of architectural fantasy, which implies original images not limited by the possibilities of the traditions of architecture and professionally created by means of fine arts. The most important thing in architectural creativity, according to the artist, is fantasy. In one of his theoretical works, Chernikhov said, “The ability to fantasize and translate imagery into a visible sketch is the first foundation of the new architecture.” The realization of his idea could be possible only with the help of careful graphic preparation; therefore, the artist created all his works in strict accordance with the laws of construction and demanded the same from his students.
The views of the architect were far ahead of his time. The buildings designed by Yakov Chernikhov are difficult to imagine even on the streets of a modern city, not to mention the Soviet Union at the beginning of the 20th century. For this reason, contemporaries perceived the creativity and personality of the artist ambiguously. Progressive minds called him a genius, while ordinary people thought his work incomprehensible; as a result, it had been forgotten for a long time. However, one way or another, Yakov Chernikhov remains a brilliant visionary, whose projects inspire new achievements and whose books open up a world of completely different architecture, where there are no restrictions of the creative imagination.
Key ideas:
– Chernikhov’s projects are ideal urban structures that are distinguished by expression, extraordinary beauty and harmony of lines, dynamics in a combination of planes and volumes. These structures do not contain absolutely anything recognizable or familiar. All the forms are the result of the artist’s uncontrollable imagination; they are unprecedented, often utopian but at the same time carefully built, logical and justified.
– Most of the ideas of Yakov Chernikhov were never implemented and were not even intended for this. However, those of them that were nevertheless realized gave the architect an excellent opportunity to confirm his theories and calculations in practice. These were mainly complexes of metal processing plants, industrial enterprises, residential quarters and educational institutions. About 60 objects of various purposes were built under the personal guidance of Yakov Grigorievich,
– Teaching was a true calling of Yakov Chernikhov. He made all his drawings illustrations of his exclusive method, which he called “descriptive art”. He taught his students not just technique or style but a unique vision, a sense of material and space, which served as the basis for architectural creativity. For many years, until his death, Yakov Chernikhov taught graphic disciplines in various educational institutions; those were descriptive geometry, drawing and sketching.
– Yakov Chernikhov was an architect and artist who perfectly felt his era, the needs of society and each person individually. Contemporaries noticed that he had a special gift to predict the future and create beautiful things with the help of a fundamentally scientific approach. The basis of the artist’s creative manner was the rhythm and asymmetry of harmonious composition. These qualities, together with the accuracy and precision of execution, make Chernikhov’s work so attractive and relevant at any time.
– Much ahead of his time, Yakov Chernikhov was very close to creating a universal graphic language that could replace verbal communication and writing. His work is reminiscent of modern graphic design; his ideas can be transformed into 3D models. The artist’s books “Fundamentals of modern architecture”, “Architectural fantasies. 101 composition” and others remain interesting manuals that develop spatial thinking and imagination capable of awakening the desire to experiment with new forms and methods in architecture.
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1942
Was born into a large Jewish family, where there were ten more children apart from him. Yakov’s father owned several restaurants but soon went broke; the family moved to Odesa.
He began his studies at the Odessa Art College, which at that time was a branch of the Imperial Academy of Arts. During his studies, Chernikhov worked as a loader and assistant photographer.
Worked as an assistant architect for the design and construction of the Odessa art-industrial exhibition. Chernikhov’s participation in this project contributed to his artistic growth and helped him to make many useful contacts among artists and architects.
Immediately after training, Chernikhov began working as a teacher at his school. He painted a lot, was interested in graphic art, ornaments and fonts.
Moved to Petersburg, where he entered the painting department of the Academy of Arts. In addition, Yakov Chernikhov attended the Higher Imperial Pedagogical Courses, as he wanted to improve his teaching skills.
He was called up for military service, during which he continued his studies at the Faculty of Architecture, under the leadership of Leonty Benoit.
After graduating from the Academy, he began working on projects for industrial buildings and complexes in Leningrad. He was also engaged in teaching, promoting universal graphic literacy, which, in his opinion, should be taught to all people, along with writing and reading.
In Leningrad, he organized the “Research Experimental Laboratory of Architectural Forms and Methods of Graphing”, which became the artist’s workshop and training studio. There, Yakov Chernikhov, together with his assistants and students, created architectural projects and improved his teaching methodology.
The publication of the first book by Chernikhov, entitled “Fundamentals of Modern Architecture”, in which he outlined the essence of his work. In addition to theoretical material, the publication contained a large number of illustrations created by the artist specifically for this book.
In Leningrad, the book “Architectural Fantasies. 101 compositions” was published. It brought Chernikhov world fame and subsequently served as a source of inspiration for many architects. In the same year, an exhibition of the artist’s works entitled “2222 Architectural Fantasies” was organized in the Anichkov Palace in Leningrad.
He moved to Moscow, as he was invited to teach at the Moscow Architectural Institute. By that time, the architectural avant-garde and constructivism were not in demand at the government level, and Chernikhov created exclusively theoretical and fantasy projects.
During the Great Patriotic War, the artist lived in Moscow. He began working on a series of projects and compositions on the theme “Pantheons of the Great Patriotic War”, which he completed in 1948.
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A large-scale project called the “Palace of Communism” was not implemented in real life, like many other ideas of Yakov Chernikhov. It is pure architectural fantasy, similar not to a drawing of a future building but an illustration depicting the perfect harmony of form and space.
around 1930
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Yakov Chernikhov primarily worked on architectural projects that had practical applications, but many of his works are just drawings, fantasies on the theme of urban architecture of the past and future. This work belongs to this category and gives the audience direct associations with the creation of another famous architect-dreamer Giovanni Battista Piranesi, who created numerous colourful projects that were not always intended for implementation.
1929 - 1933
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This work is included in the collection "Architectural fantasies. 101 composition”, which is one of the most famous creations of Jacob Chernikhov. An unpleasant story is associated with this composition, as it was among 29 works of this cycle that were stolen from the central archive and replaced with fakes.
1929 - 1933
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The cycle “Design of architectural and machine forms”, which includes this composition, reflects Chernikhov’s enthusiasm for industrial architecture after he graduated from the Academy of Arts in 1925. His desire to include the most modern technical equipment in everyday reality fully expressed the spirit of the early Soviet avant-garde, when various machines and mechanisms confidently entered the life of every person.
1927 - 1931
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The figure demonstrates the main features of the architectural compositions of Yakov Chernikhov: asymmetry, dynamism and careful study of every detail. Many drawings of the architect served as illustrations for his theoretical works and were not intended to be embodied in real conditions.
1925 - 1930
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The original architectural style of Yakov Chernikhov was based on his fundamental knowledge of ornament and rhythm. In his cycle with the unusual name “Aristography” he experimented a lot with form and space, rotating graphic elements of constructions in different directions and creating bizarre but impeccably accurate ornaments characterized by attractive rhythmic pulsation.
1918 - 1924