A Russian self-taught artist, painter and graphic artist. One of the most famous representatives of the naive art working in Moscow. Medvedeva’s paintings have been valued for 40 years; they are actively presented at exhibitions; they are the subject of collecting, and are successfully sold all over the world. The works of the amateur author are in the Tsaritsyno State Museum-Preserve and in the State House of Folk Art (Moscow), in the Kolodzei Art Foundation (Highland Park, USA), dozens of modern art galleries and dozens of private collections in Russia and Germany, France and the USA, Japan, etc. According to the version of the Union of Artists of Russia, the artistic rating of E.I. Medvedeva allows her to be nominated for the Internet project “10,000 of the best artists in the world of 18-21 centuries”.
Key ideas:
– Art critics describe the works of Katya Medvedeva as “painting of a pure and open soul”. She herself is confident that painting skills came to her from God. Maybe that is why she so often draws angels, saints and Jesus. She paints only when she feels a blessing from above and takes themes from her own mind. This happens often, as the artist, besides the biblical themes, is also interested in the reality. The plots for the pictures are news – the theft of the Lermontov monument in Ossetia, the events in Egypt, the impressions of the new country, which America has become for her. The range of topics can be designated by their names: from “U-262. Solzhenitsyn is a prophet and writer” to “I love watermelons so much.”
– She chooses the painting technique and the material, which she will use to paint on not asking the opinion of professionals. But it is exactly according to the mood: she uses oil for philosophical painting, watercolor for lyric painting and bright tempera for festive themes. The brushstrokes of the artist are bold and expressive, as she feels the palette perfectly (in the words of Chagall, “she loves color, like me”).
– In the 2010s, she had a “blue period” – she preferred this color as the background and as the basic one for large objects. She could use a book that impressed her as a painting theme for several years, as happened with the memoirs of Maya Plisetskaya. The book impressed Medvedeva so much that the theme of ballet became the main one for decades (from 1995). She used sandpaper for the base of the first painting of this huge cycle already spread throughout the world, drawing ballerinas on it with crayons.
– Experimentation is in the artist’s blood. She explains the amazing effect of the “old fresco” by placing the finished picture in the bathroom under the stream of water and washing off more fresh paint until it remains on the canvas in a small amount, like if most of it was taken by the time.
– Medvedeva works in the technique of graphics, on velvet and on silk, creates unusual collages from everything in the world. Combining painting with plush and tulle, lace and sparkles in a risky way, she feels the texture of each fabric – after all, she worked as a weaver for 10 years. In 2017, the eighty-year-old naive artist feels joyful and successful, declaring, “I am happy thanks to my work”.