Iosif Iser - SKETCHLINE

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1881 - 1958

Iosif Iser

description

An outstanding Romanian artist, graphic artist and illustrator of Jewish origin.

The childhood of the future master was held in the city of Ploiesti. There he received a secondary education. Since from an early age, Joseph loved to draw and had a talent for this, he started working as a window dresser and poster designer.

One of the most prolific painters of Romania of the 20th century, who achieved fame in Europe, worked in all genres, painting many portraits, including nudes, landscapes of his country, France and Spain, interior and genre scenes, still lifes. The expressionist artist who became a founding member of the association “Arta” (“Art”) that received the title of “People’s”, played a major role in shaping and promoting contemporary visual art in Romania.

Key ideas:

– Romanian-Jewish artist Iosif Iser actually “poured” Expressionism in the art of his country, in all genres. The artist was a generalist – he painted and drew pictures, worked in the plot and portrait genres, painted urban and rural landscapes. Due to the human nature and the characteristics of his artistic talent, Iser often provoked his audience and even the whole society.

– Some critics believed that he abused some people by his painting manner. However, the public mostly cared for the emotional aspect of his painting and its truth. Starting his first series depicting the life and customs of the local Tatars, giving expressive portraits of rabbis and other ordinary people in no less simple surroundings, the young author really painted them. In these works, a characteristic style is visible – the freedom of the manner of applying paints itself, the active sonority of a color and a bold contour line highlighting the elements of the composition.

– During the “French” period, geometric elements are included in his works, but the paintings remain figurative. From the beginning of the 1920s, when the artist still depicted the life of Tatars of Balchik and Dobrudzhi, new themes were wedged into his works and also became permanent – a series with ballerinas and heroes of the eternal triangle – Harlequin, Pierrot and Kolombina (“Harlequinad”). In these works, the artist showed himself as a skillful stage director. He depicted ballerinas as not festive ones, not on the stage, but at work or, more often, having rest after work – then their poses are relaxed, like of his half-naked odalisque, lying on wide sofas. In most cases, the master chose a dim chromatic harmony; those colorful blotches are more like dialogues than contrasts to primary pastel colors. For nude portraits, the master also thought through unusual angles and poses – for example, “Nude, reading a book” sits with his back to the viewer.

– A brighter palette returns to works dedicated to Spain (1930s), mostly it is seen in the images of bullfighters and landscapes of the city of Toledo. Women of this country in their black robes look exotic and characteristic: restrained southern passion is read only in their tense postures and strict faces.

– At the beginning of his career, I. Iser became famous for his almost rude caricatures, where the mocked phenomenon or politicians (sometimes celebrities) are captured accurately and depicted with a great skill. The artist was a true expressionist, no matter what genre he chose and whatever technique he used.

Iosif Iser

On Artist

flow

Fauvism

Orientalism

friends

Andre Derain

Henri Matisse

Georges Rouault

Constantin Brancusi

artists

Wassily Kandinsky

Paul Serusier

Maurice Denis

Felix Vallotton

Oton Freez

Anton Azhbe

Johann Caspar Gerterich

By Artist

flow

Expressionism

friends

Andre Derain

George Petrashka

Stefan Popescu

description

Location: Art Museum of Craiova, Romania.

1940

description

Location: Romanian National Museum of Art, Bucharest.

1940

description

Location: Romanian National Museum of Art, Bucharest.

1930

description

Mediums: oil, canvas. Location: Romanian National Museum of Art, Bucharest.

1921

description

Location: Romanian National Museum of Art, Bucharest.

1909