She was born on September 7, in Greenwich, New York, near Bennington, Vermont; she was the third of 10 children of a poor farming family.
1860 - 1961
Her real name was Anna Maria Moses, born Robertson. An American self-taught artist, one of the first and the main representatives of pictorial primitivism in her country. Having started to paint at the age of 60, the artist presented her paintings at hundreds of exhibitions not only in the United States, but throughout Europe. 16 million Christmas cards of Grandma Moses were issued. In 1949, President Truman gave the artist the award For Outstanding Achievements in the Arts; she received an honorary doctorate in several US schools. Factories produced fabrics and dishes with paintings of Moses; some movies about her life were created; the monograph “Grandmother Moses: American Primitive” (autobiographical notes, edited by O. Kallir, introduction by L. Bromfield) became the best-selling art book. Grandmother Moses’s birthday became a holiday in New York (the artist lived 101 years). A crater on Venus was named after her.
Key ideas:
– Anna Maria Robertson-Moses, who entered the world of fine arts as Grandma Moses, loved to paint from childhood. However, hard farm work, which she had been busy with until she turned 67, did not let her paint. Starting at first to embroider, and then to paint at the age of 76, she created primitive paintings resembling child’s drawings; then she gave them to her relatives, friends and acquaintances. Paintings created by the simple peasant woman from a deep province made people happy. The subjects of the plots were understandable to everyone; moreover, they did not require any special knowledge of art and culture necessary for understanding canvases of Symbolists or Cubists.
– In the paintings of the old woman, everything is as easy as in childhood: winter is white and light; spring is bright and light green, summer is dark green and fertile, autumn is brown and golden (by the way, Moses painted autumn very rarely). As the artist took plots for her paintings from life, she depicted sleighs and carts, horses, chickens and geese, mills and bridges, as small as toys.
– Ideal farms, rustic household and festive scenes — often multi-figured and narrative — are distinguished by their flatness, a significant distortion of perspective, and uncomplicated artistic-technical methods characteristic of naïve art. Nevertheless, all this together with juicy spots of harmoniously combined colors brightly expresses the inner creative freedom of the artist, independent of rules. The life-affirming beginning comes also from the feeling that the artist enjoyed the creation process, not worrying of the result and putting a maximum of positive energy into her paintings.
– Primitive paintings of Grandma Moses are so much sincere and poetic that it is difficult to remain indifferent watching them. Moreover, those farmer’s landscapes and lovely scenes that are depicted on those canvases, came from the simple life that many people either dream of or recall with nostalgia.
1860
1870 - 1880
1905
1918
1920 - 1930
1938 - 1939
1940 - 1942
1944 - 1945
1946
1949
1950
1960
1961
She was born on September 7, in Greenwich, New York, near Bennington, Vermont; she was the third of 10 children of a poor farming family.
Worked for hire; developed literacy living with one family; married T. Moses. The couple moved to Virginia; they got 10 children, of whom 5 survived.
Having returned to New York, the family of Moses bought a farm in Eagle Bridge, near Greenwich.
Created her first painting on the wall of the fire stove in her guestroom.
Painted landscapes for home and work by photos for her relatives and friends; she became a widow and lost her daughter; took care of two grandchildren of hers; demonstrated her paintings at local fairs.
Louis Kaldor, an amateur collector, bought 14 of her paintings, sent her professional paints and canvases; 3 paintings of the artist were included in the closed exhibition “Unknown Contemporary American Artists” at the New York Museum.
O. Kallir, the owner of the St. Etienne Gallery in New York, and Kaldor organized the artist’s first exhibition; participating in the Thanksgiving Festival, Moses received approval of people and press; she was awarded the New York State Prize; such celebrities as C. Cornell and C. Porter began to collect her paintings; in the “Dial”, the article “They learnt all by themselves” with a separate chapter about Moses was published.
The Gallery Saint-Etienne organized 2 exhibitions of Moses; Kallir organized an extensive program of traveling exhibitions, which presented her works in many cities of the USA during 20 years; the artist participated in the Women’s International Exhibition at Madison Square Garden (New York) and began exhibiting her works at the Carnegie Institute’s annual fair at Pittsburgh (Pennsylvania).
Got the right to hold a large national exhibition; the first greeting cards with pictures of the artist’s works were published; The monograph “Grandmother Moses: American Primitive” was published (autobiography edited by O. Kallir with an introduction of Louis Bromfield).
In Washington, Anna met with President H. Truman, who awarded her prize “For outstanding achievements in art”; she received an honorary doctorate; the manufacture of fabrics based on Moses paintings began.
A color documentary about Moses was released; the first European exhibitions took place; the artist’s birthday was annually celebrated in the national press.
Governor N. A. Rockefeller proclaimed her 100th anniversary as “The Day of Grandmother Moses”; the artist danced jig with her doctor at the celebration.
On December 13, Moses died at the age of 101 at the New York Health Center; she was buried with honors at the Maple Grove Cemetery in Hoosick Falls.