Frank Gehry was born on February 28 in Canada. His parents were Polish immigrants. The father of the future architect owned slot machines store.
1929
Frank Gehry is an American architect, designer, a graduate of the University of Southern California, had an internship in urbanism courses at the Harvard School of Design. He opened his own design office in 1962. The forerunners of the architect, who had a greater influence on him, can be considered representatives of super-expressive symbolic expressionism – Mendelssohn, Gaudi, and Russian constructivism. The sculptural form of Gehry’s works is expressive outside and inside. Gehry continues the plastic and coloristic traditions of Art Nouveau, however, of course, already at a new level of technological capabilities.
Gehry refers to architecture as an art devoid of ideological and social burdens. He started with interior design. Gehry’s design is characterized by sculptural forms that amaze the imagination with the introduction of “pure” materials. The master’s works are in line with deconstructivism, fractal architecture.
Features of the author’s style by Frank Gehry:
Main structures:
1929
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2007
Frank Gehry was born on February 28 in Canada. His parents were Polish immigrants. The father of the future architect owned slot machines store.
Began to live in Los Angeles.
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Graduated from the University of Southern California. Then he received education at Harvard University.
Returned to America. Opened his bureau in Los Angeles.
Gehry was elected to the collegium of the scholars of the American Institute of Architects.
Massachusetts Technological University officially accused the architect in the poor-quality project of the corps worth $ 315 million.
description
The building of the Solomon Guggenheim Museum, built by Gehry in 1997 in Bilbao, was designed by hand, but calculated on a computer. It is a perfect example of virtual architecture. The museum was created by bringing together combinable elements in a way that can be applied to thousands of such museums. The object is amazing and experimental. The Guggenheim Museum is a spatial fantasy, the product of machine processes that have outstripped architectural form. When using technology and equipment, everything loses its originality.
1997