
1864 - 1916

A Russian landscape painter, a co-owner (along with his brothers) of Danilovskaya Manufactory.
Attending only private lessons (that is, not having received any systematic special art education), he mastered the techniques of the Impressionists, giving them both his attitude and his manner of performance. The artist brought to the landscapes a share of lyricism and inner warmth, causing the reciprocal wave of benevolence of the viewer. The national theme is attractive in Mescherin’s paintings: most of them present the artist’s low-key beauty of Central Russian nature, which he understood and loved, according to N. Nekrasov, an author of many essays about the artists, “like a of a tender and devoted son”.
Key ideas:
Taking private painting lessons from the Wanderers (graphic artists, landscape painters and painters) in the 1890s, Mescherin learned various techniques of painting, including separate small neat strokes, as well as energetic-wide pasty brush strokes.
Landscapes made in a dull tonality are filled with special lyricism and subtle poetry. The pointillism technique, successfully implemented by the artist in some landscapes, was also the reason for this mood of the canvases.
1864
1880
1898
1899
1904
1906 - 1907
1910
1916

The sudden death of his father; the eldest son took over the management of the affairs and the Dugino estate, not having graduated from the Moscow Practical Academy of Commercial Sciences, which all three sons entered at the insistence of their father.
The beginning of the 1990s – N. Mescherin began painting classes. I. Grabar, who worked with him at the same workshop for a long time, said that Nikolai’s teachers were A. Korin and V. Perepletchikov, who was Mescherin’s fellow student at the Practical Academy.






1917 – At the fifteenth exhibition of the Union of Russian Artists, his friends organized an exhibition of 30 works by the artist. Large exhibitions of works by Mescherin were held in 1987 and 1994.